Rick Springfield - Karma | ||
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Label: Platinum Entertainment Producers: Rick Springfield & Bill Drescher Year: 1999 Total Playing Time: 49:37 m:s Review date: 30 June 1999 |
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| Rating: 8.0 | ||
| Verdict: Rick celebrates growing up. | ||
| After what seems like a lengthy absence Rick is back with a new album. With rave reviews plastered all over the Web, how could I resist buying this one, especially when "Living In Oz" is one of my favourite albums. It has been a long time since "Living In Oz", so what has changed in the interim?
My initial reaction was bemusement. I just couldn't figure out where all the rave reviews were coming from. I think the main reason was that I was expecting something along the lines of a lightweight rock-pop album, whereas this is a more laid-back affair with a mid-West vibe to it. It actually inspired me to go away and listen to Joey Tempest's "A Place To Call Home" album. Not convinced that I'd given Rick a 'fair go', I returned to "Karma" for enlightenment. Second time around I began to see what all the fuss is about. Once I had accepted it's lightweight mid-West identity, this became an entertaining album. Another way of describing the whole affair is as mature. Whilst Rick's previous efforts exuded youthful exuberance (Celebrate Youth et al), this is a lot more grownup. Comparisons could be drawn to Kip Winger last album, but the situation here isn't quite so drastic. The first track is a sound-byte of a spoken nature rather than a proper song. The next 3 songs are uptempo mid-West style numbers that whilst not being acoustic do have that feel to them. The title track, "Karma", does have a slightly 'cosmic' start but doesn't get as 'trippy' as you might expect. "Shock To The System" has a laid back groove, almost Hall & Oates, with a big chorus. The laid back grooves continues with "Free", before "Player" goes for a more uptempo style and again nods it's head in the direction of Hall & Oates. "The White Room" meanders along without grabbing my attention. Not so "In Veronica's Head" which is more the style I remember from Rick Springfield. "Ordinary Girl" begins with some Southern Blues before transforming into a killer acoustic pop song. After listening to this track I always warm to the whole album. The final listed tune, "Act Of Faith", is a mellow tune that once again reminds me of H+O. The unlisted track could well be called "Hey Maria" and like "In Veronica's Head" reminds me of older Rick Springfield material. The more I listen to this, the more I like it. Rick Springfield mixed with Joey Tempest and Hall & Oates is a great combination, especially if you're into the lighter side of AOR. A good album then, but not quite as rave-worthy as I had been lead to believe. | ||
